Collection: Solange Adum Abdala

The project La Conversion de la Huella (Spanish for The Conversion of the Trace) transmutes the tangible perception of nature by intervening analog photographic images, altering the essential chemical components of the support in morphological and formal aspects. The destruction and mutation of its materials distance it from its traditional role of representation, thus creating a thinner line between photography and painting, which have been compared in modern and contemporary art history.