Autotelism: the belief that a work of art, especially a work of literature, is an end in itself or provides its own justification.

Jeremy Isao Speier and his father, artist Matthew Speier, often spoke about the idea of autotelism and its role in their work. They believed in the autodidact and spent much of their time together talking about art, film, culture and life. Speier’s father, ‘Matty,’ was an early video art pioneer, and cinéma vérité auteur in the Vancouver art scene of the 70s and 80s. He was also a collector of found objects, a practice that he framed as the “found object foundation”. 

After his passing last year, and as a tribute to him, Jeremy Isao Speier has constructed an homage to his father in his solo exhibition, Autotelēs. He has created a series of kinetic photo collages using old photos and objects from the found object foundation, along with 70s black and white photographs, letters, and other ephemera from the counter cultural era he grew up in. 

“Our conversation is not over. It has presence in my work and my art.” says Speier.

The exhibition captures and combines a wide variety of media and materiality.  “My interest is in the experiential and spiritual more than style and aesthetics”, says Speier. He is more interested in, “the fire, the mirage, the transformation, the states of the afterlife, dreams, and the journey.”