Ali Shariq Jamali

Referencing the undeciphered script of Mohenjo-daro, Jamali’s work considers what remains when meaning cannot be fully recovered. Through installation and material intervention, the exhibition examines how artifacts—once embedded in time and context—become fragmented, circulated, and reinterpreted within contemporary digital systems.

Installed from floor to ceiling, chroma green fragments disperse across the gallery as a field of suspended remains—at once archaeological and provisional. Rendered in green screen green, each form becomes a surface for substitution, a site where any image, identity, or narrative could be imposed. What might once have been read as artifact is instead held in a state of perpetual contingency: not fixed, but available. The installation resists closure, offering no stable origin or meaning, only the conditions for endless projection and reassembly.