{"title":"MINUTIAE","description":"\u003cp\u003e\u003ci\u003e100+ tiny sculptures from artists such as Jean Paul Langlois, Ben Skinner, Amanda Wood, Meg Shaw, Amelia Butcher, Andrea Hooge, Hiller Goodspeed, Puppyteeth, and more! Just $200 each! \u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cstrong\u003eSales begin at 6 pm (PDT) on Friday, May 15th.\u003c\/strong\u003e\u003c\/i\u003e\u003c\/p\u003e","products":[{"product_id":"ce-chic","title":"Ce Chic!","description":"\u003cp\u003eclay, wood, textile, leather, acrylic | 3 x 3 x 6\"\u003c\/p\u003e\n\u003cp\u003eRojia Dadashzadeh is a contemporary artist, educator, and researcher based in Vancouver, BC. Her interdisciplinary practice spans sculpture, painting, and drawing, often exploring narrative, identity, and materiality through a playful and performative lens. She is particularly interested in the relationship between gesture, character, and memory, and how abstraction can evoke deeply personal or collective stories. Her work has been featured in Preview, The Vancouver Sun, Georgia Straight, Canadian Art Teacher Journal, and The City Without Art?, and has been exhibited nationally and internationally. Dadashzadeh teaches Visual Arts to Grades 1–7, working within a Reggio Emilia–inspired framework. Previously, she taught IB Visual and Culinary Arts to Grades 6–12 and continues to serve as an IBEN Educator and Workshop Leader. She is also a co-editor of BCATA journal Perception\/s. She holds a BFA (Honours) from the University of Waterloo, a postgraduate diploma in New Media Design from Sheridan College, Le Grand Diplôme from Le Cordon Bleu (Paris), and both a BEd and MA in Art Education from the University of British Columbia. She has also trained in Richard Pochinko’s clowning method, an improved performance practice rooted in Indigenous and European traditions. Her teaching and artistic practices remain deeply interconnected and mutually enriching.\u003c\/p\u003e\n\u003cp\u003e©Rojia Dadashzadeh. All rights reserved. Usage, reproduction, or altering of artwork is not permitted without permission. Each piece of artwork is an intellectual property and is protected by copyright law.\u003c\/p\u003e","brand":"Rojia Dadashzadeh","offers":[{"title":"Default Title","offer_id":46715400093845,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1481.jpg?v=1778777469"},{"product_id":"fragment-73","title":"Fragment #73","description":"\u003cp\u003eair-dry clay, chroma green paint, acrylic box | 2 x 2 x 2 inches (including acrylic case)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn a fragment of \u003ci\u003eFragment Index\u003c\/i\u003e by Ali Shariq Jamali.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLimited availability: 16 total\u003c\/p\u003e\n\u003cp\u003eThese ceramic fragments originate from a large-scale installation and are presented individually in clear acrylic enclosures. Each piece is coated in chroma green, transforming it into a surface that resists fixed meaning.\u003c\/p\u003e\n\u003cp\u003eReferencing the circulation of historical artifacts through online marketplaces, the work considers how objects become detached from their cultural and temporal contexts—reduced to images, listings, and price points. In this condition, meaning is no longer inherited, but constructed in the moment of exchange.\u003c\/p\u003e\n\u003cp\u003eEach fragment stands as a complete object, despite (or because of) its disconnection.\u003c\/p\u003e\n\u003cp\u003e©Ali Shariq Jamali. All rights reserved. Usage, reproduction, or altering of artwork is not permitted without permission. Each piece of artwork is an intellectual property and is protected by copyright law.\u003c\/p\u003e","brand":"Ali Shariq Jamali","offers":[{"title":"Default Title","offer_id":47314850349205,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/fragment_73_f3b0dfa0-e480-4eaa-89a2-7c5f84c539e9.jpg?v=1777674766"},{"product_id":"fragment-267","title":"Fragment #267","description":"\u003cp\u003eair-dry clay, chroma green paint, acrylic box | 2 x 2 x 2 inches (including acrylic case)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn a fragment of \u003ci\u003eFragment Index\u003c\/i\u003e by Ali Shariq Jamali.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLimited availability: 16 total\u003c\/p\u003e\n\u003cp\u003eThese ceramic fragments originate from a large-scale installation and are presented individually in clear acrylic enclosures. Each piece is coated in chroma green, transforming it into a surface that resists fixed meaning.\u003c\/p\u003e\n\u003cp\u003eReferencing the circulation of historical artifacts through online marketplaces, the work considers how objects become detached from their cultural and temporal contexts—reduced to images, listings, and price points. In this condition, meaning is no longer inherited, but constructed in the moment of exchange.\u003c\/p\u003e\n\u003cp\u003eEach fragment stands as a complete object, despite (or because of) its disconnection.\u003c\/p\u003e\n\u003cp\u003e©Ali Shariq Jamali. All rights reserved. Usage, reproduction, or altering of artwork is not permitted without permission. Each piece of artwork is an intellectual property and is protected by copyright law.\u003c\/p\u003e","brand":"Ali Shariq Jamali","offers":[{"title":"Default Title","offer_id":47314880495765,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/fragment_267_67787079-0c18-4496-ac86-e70672ac62d0.jpg?v=1777674711"},{"product_id":"fragment-491","title":"Fragment #491","description":"\u003cp\u003eair-dry clay, chroma green paint, acrylic box | 2 x 2 x 2 inches (including acrylic case)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOwn a fragment of \u003ci\u003eFragment Index\u003c\/i\u003e by Ali Shariq Jamali.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLimited availability: 16 total\u003c\/p\u003e\n\u003cp\u003eThese ceramic fragments originate from a large-scale installation and are presented individually in clear acrylic enclosures. Each piece is coated in chroma green, transforming it into a surface that resists fixed meaning.\u003c\/p\u003e\n\u003cp\u003eReferencing the circulation of historical artifacts through online marketplaces, the work considers how objects become detached from their cultural and temporal contexts—reduced to images, listings, and price points. In this condition, meaning is no longer inherited, but constructed in the moment of exchange.\u003c\/p\u003e\n\u003cp\u003eEach fragment stands as a complete object, despite (or because of) its disconnection.\u003c\/p\u003e\n\u003cp\u003e©Ali Shariq Jamali. All rights reserved. Usage, reproduction, or altering of artwork is not permitted without permission. Each piece of artwork is an intellectual property and is protected by copyright law.\u003c\/p\u003e","brand":"Ali Shariq Jamali","offers":[{"title":"Default Title","offer_id":47314910445717,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/fragment_491.jpg?v=1777674640"},{"product_id":"hang-on","title":"Hang On","description":"\u003cp\u003ewall hanging bud vase | porcelain | 3 x 1.25 x 3.75\"\u003c\/p\u003e\n\u003cp\u003eAna Shioshita is an artist working primarily in ceramics. She currently lives in Squamish, but is originally from Boulder Colorado, where she dug up wild clay as a child and developed a life-long love for the medium. She attended school for sculpture, before switching to biology, but ultimately found her way back to ceramics. Ana is interested in how forms move and interact with the world around them, each other, and the viewer. Her work draws influence from a combination of biology and the cartoons and comics she watched and read as a child. She aims to create forms that people identify with, and is endlessly interested in what we see, what we project onto it, and how wildly that varies from person to person.\u003c\/p\u003e","brand":"Ana Shioshita","offers":[{"title":"Default Title","offer_id":47346977865877,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1316.jpg?v=1778566888"},{"product_id":"tiny-vase-person-sitting-on-a-rock","title":"Tiny Vase Person Sitting on a Rock","description":"\u003cp\u003esitting bud vase | porcelain | 1 x 1.25 x 1\"\u003c\/p\u003e\n\u003cp\u003eAna Shioshita is an artist working primarily in ceramics. She currently lives in Squamish, but is originally from Boulder Colorado, where she dug up wild clay as a child and developed a life-long love for the medium. She attended school for sculpture, before switching to biology, but ultimately found her way back to ceramics. Ana is interested in how forms move and interact with the world around them, each other, and the viewer. Her work draws influence from a combination of biology and the cartoons and comics she watched and read as a child. She aims to create forms that people identify with, and is endlessly interested in what we see, what we project onto it, and how wildly that varies from person to person.\u003c\/p\u003e","brand":"Ana Shioshita","offers":[{"title":"Default Title","offer_id":47346981208213,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1311.jpg?v=1778567330"},{"product_id":"bloquecito-i","title":"Bloquecito I","description":"\u003cp\u003econcrete, masonry twine | 4 x 4 x 3.5\"\u003c\/p\u003e\n\u003cp\u003eFrancisco Berlanga is a Vancouver based textile artist whose practice reflects on his relationship to his Mexican identity as a second-generation immigrant through the lens of Craft. He attempts to understand how one can inhabit a culture while being partially absent from it. He engages in discourse with his own identity through the creation of traditional Mexican “manualidades” or crafts. His practice engages with concepts of inaccessibility attempting to bridge the gaps between his personal and cultural identities by forcing connections between them and trying to understand the limitations that these identities impose upon each other. Histories of repetition often produce apparitions of motifs that haunt his works. His previous exhibitions include a solo show at Modern Fuel, Grunt Gallery and group shows at the Surrey Art gallery, Morris and Helen Belkin gallery, the AHVA gallery, THIS Gallery, and the Audain gallery. Berlanga obtained his BFA at Simon Fraser University and his MFA at the University of British Columbia.\u003c\/p\u003e","brand":"Francisco Berlanga","offers":[{"title":"Default Title","offer_id":47346987434133,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/belanga-bloquecito_1-1.jpg?v=1778567628"},{"product_id":"bloquecito-2","title":"Bloquecito 2","description":"\u003cp\u003econcrete, masonry twine | 4 x 4 x 3.5\"\u003c\/p\u003e\n\u003cp\u003eFrancisco Berlanga is a Vancouver based textile artist whose practice reflects on his relationship to his Mexican identity as a second-generation immigrant through the lens of Craft. He attempts to understand how one can inhabit a culture while being partially absent from it. He engages in discourse with his own identity through the creation of traditional Mexican “manualidades” or crafts. His practice engages with concepts of inaccessibility attempting to bridge the gaps between his personal and cultural identities by forcing connections between them and trying to understand the limitations that these identities impose upon each other. Histories of repetition often produce apparitions of motifs that haunt his works. His previous exhibitions include a solo show at Modern Fuel, Grunt Gallery and group shows at the Surrey Art gallery, Morris and Helen Belkin gallery, the AHVA gallery, THIS Gallery, and the Audain gallery. Berlanga obtained his BFA at Simon Fraser University and his MFA at the University of British Columbia.\u003c\/p\u003e","brand":"Francisco Berlanga","offers":[{"title":"Default Title","offer_id":47347051856021,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/belanga-bloquecito_2-1.jpg?v=1778567800"},{"product_id":"bloquecito-3","title":"Bloquecito 3","description":"\u003cp\u003econcrete, masonry twine | 4 x 4 x 3.5\"\u003c\/p\u003e\n\u003cp\u003eFrancisco Berlanga is a Vancouver based textile artist whose practice reflects on his relationship to his Mexican identity as a second-generation immigrant through the lens of Craft. He attempts to understand how one can inhabit a culture while being partially absent from it. He engages in discourse with his own identity through the creation of traditional Mexican “manualidades” or crafts. His practice engages with concepts of inaccessibility attempting to bridge the gaps between his personal and cultural identities by forcing connections between them and trying to understand the limitations that these identities impose upon each other. Histories of repetition often produce apparitions of motifs that haunt his works. His previous exhibitions include a solo show at Modern Fuel, Grunt Gallery and group shows at the Surrey Art gallery, Morris and Helen Belkin gallery, the AHVA gallery, THIS Gallery, and the Audain gallery. Berlanga obtained his BFA at Simon Fraser University and his MFA at the University of British Columbia.\u003c\/p\u003e","brand":"Francisco Berlanga","offers":[{"title":"Default Title","offer_id":47347064930453,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/belanga-bloquecito_3-1.jpg?v=1778567892"},{"product_id":"untitled-1","title":"Untitled 1","description":"\u003cp\u003eceramic sculpture | 4 x 3 x 3\"\u003c\/p\u003e\n\u003cp\u003eAmberlie Perkin is an interdisciplinary artist and art educator.  Her artwork investigates grief, kinship and the body as a wounded ecology.  Perkin’s diverse practice is deeply rooted in the embodied experience of engaging with nature. Her creative processes enact cycles of regeneration, using grief and loss as dynamic material with which to build new forms. Her installations engender empathy while offering new modes of memory and memorial. Perkin holds both an MFA and BFA from Emily Carr University of Art \u0026amp; Design. She is the founder of Studio One One Six in Vancouver BC. In 2021, Amberlie was a Tedx speaker for the TEDxemilycarru Recognize series. In 2022, she was awarded the Emerging Artist Award by the Seymour Art Gallery, and the Won Lee Sculpture Award by the Canadian Sculpture Centre. She has participated in several art and design conferences across Canada and exhibited both locally and internationally.\u003c\/p\u003e","brand":"Amberlie Perkin","offers":[{"title":"Default Title","offer_id":47347984400533,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1322.jpg?v=1778592349"},{"product_id":"untitled-4","title":"Untitled 2","description":"\u003cp\u003eceramic sculpture | 4 x 4 x 2\"\u003c\/p\u003e\n\u003cp\u003eAmberlie Perkin is an interdisciplinary artist and art educator.  Her artwork investigates grief, kinship and the body as a wounded ecology.  Perkin’s diverse practice is deeply rooted in the embodied experience of engaging with nature. Her creative processes enact cycles of regeneration, using grief and loss as dynamic material with which to build new forms. Her installations engender empathy while offering new modes of memory and memorial. Perkin holds both an MFA and BFA from Emily Carr University of Art \u0026amp; Design. She is the founder of Studio One One Six in Vancouver BC. In 2021, Amberlie was a Tedx speaker for the TEDxemilycarru Recognize series. In 2022, she was awarded the Emerging Artist Award by the Seymour Art Gallery, and the Won Lee Sculpture Award by the Canadian Sculpture Centre. She has participated in several art and design conferences across Canada and exhibited both locally and internationally.\u003c\/p\u003e","brand":"Amberlie Perkin","offers":[{"title":"Default Title","offer_id":47347984793749,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1329.jpg?v=1778592505"},{"product_id":"untitled-5","title":"Untitled 3","description":"\u003cp\u003eceramic sculpture | 4 x 4 x 4\"\u003c\/p\u003e\n\u003cp\u003eAmberlie Perkin is an interdisciplinary artist and art educator.  Her artwork investigates grief, kinship and the body as a wounded ecology.  Perkin’s diverse practice is deeply rooted in the embodied experience of engaging with nature. Her creative processes enact cycles of regeneration, using grief and loss as dynamic material with which to build new forms. Her installations engender empathy while offering new modes of memory and memorial. Perkin holds both an MFA and BFA from Emily Carr University of Art \u0026amp; Design. She is the founder of Studio One One Six in Vancouver BC. In 2021, Amberlie was a Tedx speaker for the TEDxemilycarru Recognize series. In 2022, she was awarded the Emerging Artist Award by the Seymour Art Gallery, and the Won Lee Sculpture Award by the Canadian Sculpture Centre. She has participated in several art and design conferences across Canada and exhibited both locally and internationally.\u003c\/p\u003e","brand":"Amberlie Perkin","offers":[{"title":"Default Title","offer_id":47347985088661,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1331.jpg?v=1778592589"},{"product_id":"constructed-rubble-1","title":"constructed rubble #1","description":"\u003cp\u003eGraphite, found drywall, drywall compound, film positive | 4 x 3 x 3\"\u003c\/p\u003e\n\u003cp\u003eTiffany Law (b. 1994, Hong Kong) is a visual artist whose practice centres on drawing and printmaking. Her work approaches mark-making as both a material process and a conceptual framework for constructing personal archives that reflect on loss and existence. Through repetitive and durational gestures, Law examines how time is registered through the labouring body, and its relationship to geological time and land formation. Law received her BA in Visual Arts from Hong Kong Baptist University and her MFA from the University of British Columbia. Her work has been supported by the BC Arts Council, Audain Foundation and the Hong Kong Arts Development Council. Recent exhibitions include a solo presentation at Access Gallery, Vancouver (2025); at WURE Area, Hong Kong (2024); a two-person exhibition at Canton Sardine, Vancouver (2026); and a group exhibition at the Morris and Helen Belkin Art Gallery, Vancouver (2024). She lives and works on the stolen ancestral lands of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səlilwətaɬ Nations.\u003c\/p\u003e","brand":"Tiffany Law","offers":[{"title":"Default Title","offer_id":47347985416341,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/constructed-rubble_1_1.jpg?v=1778593110"},{"product_id":"constructed-rubble-2","title":"constructed rubble #2","description":"\u003cp\u003egraphite, found drywall, drywall compound, film positive, found object | 4 x 3.5 x 3\"\u003c\/p\u003e\n\u003cp\u003eTiffany Law (b. 1994, Hong Kong) is a visual artist whose practice centres on drawing and printmaking. Her work approaches mark-making as both a material process and a conceptual framework for constructing personal archives that reflect on loss and existence. Through repetitive and durational gestures, Law examines how time is registered through the labouring body, and its relationship to geological time and land formation. Law received her BA in Visual Arts from Hong Kong Baptist University and her MFA from the University of British Columbia. Her work has been supported by the BC Arts Council, Audain Foundation and the Hong Kong Arts Development Council. Recent exhibitions include a solo presentation at Access Gallery, Vancouver (2025); at WURE Area, Hong Kong (2024); a two-person exhibition at Canton Sardine, Vancouver (2026); and a group exhibition at the Morris and Helen Belkin Art Gallery, Vancouver (2024). She lives and works on the stolen ancestral lands of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səlilwətaɬ Nations.\u003c\/p\u003e","brand":"Tiffany Law","offers":[{"title":"Default Title","offer_id":47347987972245,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/constructed-rubble_2_1.jpg?v=1778593261"},{"product_id":"constructed-rubble-3","title":"constructed rubble #3","description":"\u003cp\u003egraphite, found drywall, drywall compound, found objects | 4 x 4 x 4\"\u003c\/p\u003e\n\u003cp\u003eTiffany Law (b. 1994, Hong Kong) is a visual artist whose practice centres on drawing and printmaking. Her work approaches mark-making as both a material process and a conceptual framework for constructing personal archives that reflect on loss and existence. Through repetitive and durational gestures, Law examines how time is registered through the labouring body, and its relationship to geological time and land formation. Law received her BA in Visual Arts from Hong Kong Baptist University and her MFA from the University of British Columbia. Her work has been supported by the BC Arts Council, Audain Foundation and the Hong Kong Arts Development Council. Recent exhibitions include a solo presentation at Access Gallery, Vancouver (2025); at WURE Area, Hong Kong (2024); a two-person exhibition at Canton Sardine, Vancouver (2026); and a group exhibition at the Morris and Helen Belkin Art Gallery, Vancouver (2024). She lives and works on the stolen ancestral lands of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səlilwətaɬ Nations.\u003c\/p\u003e","brand":"Tiffany Law","offers":[{"title":"Default Title","offer_id":47347990364309,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/constructed-rubble_3_1.jpg?v=1778593334"},{"product_id":"thia","title":"thìa","description":"\u003cp\u003ehydrostone | 1 x 6 x 2\"\u003c\/p\u003e\n\u003cp\u003eHue Nguyen (b. 1991 Calgary AB, he\/they) is a horse amalgamation of sorts. His interdisciplinary practice is rooted in the poetics of personal story telling, exploring the in\/tangibility of material forms within personal histories of flesh, sound, phenomena, and beyond. \n\nHue currently resides in what is colonially known as ‘Vancouver, BC’\u003c\/p\u003e","brand":"Hue Nguyen","offers":[{"title":"Default Title","offer_id":47347993936021,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1212.jpg?v=1778593497"},{"product_id":"granada","title":"Lunar Rock I","description":"\u003cp\u003econcrete | 4 x 4 x 1\"\u003c\/p\u003e\n\u003cp\u003eDabria Gosse is a Maple Ridge based artisan that creates sculptural and functional wares out of concrete. She began Twentytwo Decor as a hobby during covid and it has now evolved into her full time job. \n\nAll of her creations are poured in small batches with the use of custom molds or sculpted by hand. She enjoys working with bright colours and experimenting with fun textures and unique shapes. No two pieces are identical. \u003c\/p\u003e","brand":"Dabria Gosse","offers":[{"title":"Default Title","offer_id":47347998097557,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/lunar-rock_1_1.jpg?v=1778593850"},{"product_id":"lunar-rock-ii","title":"Lunar Rock II","description":"\u003cp\u003econcrete | 4 x 4 x 1\"\u003c\/p\u003e\n\u003cp\u003eDabria Gosse is a Maple Ridge based artisan that creates sculptural and functional wares out of concrete. She began Twentytwo Decor as a hobby during covid and it has now evolved into her full time job. \n\nAll of her creations are poured in small batches with the use of custom molds or sculpted by hand. She enjoys working with bright colours and experimenting with fun textures and unique shapes. No two pieces are identical. \u003c\/p\u003e","brand":"Dabria Gosse","offers":[{"title":"Default Title","offer_id":47348009533589,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/lunar-rock_2_1.jpg?v=1778594082"},{"product_id":"lunar-rock-iii","title":"Lunar Rock III","description":"\u003cp\u003econcrete | 4 x 4 x 1\"\u003c\/p\u003e\n\u003cp\u003eDabria Gosse is a Maple Ridge based artisan that creates sculptural and functional wares out of concrete. She began Twentytwo Decor as a hobby during covid and it has now evolved into her full time job. \n\nAll of her creations are poured in small batches with the use of custom molds or sculpted by hand. She enjoys working with bright colours and experimenting with fun textures and unique shapes. No two pieces are identical. \u003c\/p\u003e","brand":"Dabria Gosse","offers":[{"title":"Default Title","offer_id":47348011237525,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/lunar-rock_3_1.jpg?v=1778594144"},{"product_id":"dandelion-candelabra","title":"Dandelion Candelabra","description":"\u003cp\u003eceramic | 3.75 x 3.75 x 4\"\u003c\/p\u003e\n\u003cp\u003eAmelia Butcher is a Vancouver-based visual artist and educator with a sculptural, pottery, writing and drawing practice centered in clay. She graduated from Emily Carr University in 2013 and is a founding member of the Dusty Babes Collective. From 2015-2021 she lived and worked out of their communal space in the Surrey studio of the late great Don Hutchinson. Now based in Vancouver, she is a maker, instructor, technician, parent and dedicated volunteer with the Potters Guild of BC community kiln. She makes objects that are self-conscious of their own act of making, that wrestle between drawing and sculpture, fiction and non-fiction, imagined and observed narratives. Sculpture, figuration, illustration and pottery swim together freely in her practice as well as a great curiosity for materials. Metallic oxides, sticky porcelain and heat are recruited into telling stories about science, family, animal, vegetable and mineral.\u003c\/p\u003e","brand":"Amelia Butcher","offers":[{"title":"Default Title","offer_id":47348013269141,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1070.jpg?v=1778594326"},{"product_id":"vulture-candleholder","title":"Vulture Candleholder","description":"\u003cp\u003eceramic | 3.75 x 2.75 x 4\"\u003c\/p\u003e\n\u003cp\u003eAmelia Butcher is a Vancouver-based visual artist and educator with a sculptural, pottery, writing and drawing practice centered in clay. She graduated from Emily Carr University in 2013 and is a founding member of the Dusty Babes Collective. From 2015-2021 she lived and worked out of their communal space in the Surrey studio of the late great Don Hutchinson. Now based in Vancouver, she is a maker, instructor, technician, parent and dedicated volunteer with the Potters Guild of BC community kiln. She makes objects that are self-conscious of their own act of making, that wrestle between drawing and sculpture, fiction and non-fiction, imagined and observed narratives. Sculpture, figuration, illustration and pottery swim together freely in her practice as well as a great curiosity for materials. Metallic oxides, sticky porcelain and heat are recruited into telling stories about science, family, animal, vegetable and mineral.\u003c\/p\u003e","brand":"Amelia Butcher","offers":[{"title":"Default Title","offer_id":47348017496213,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1057.jpg?v=1778594444"},{"product_id":"mama-candleholder","title":"Mama Candleholder","description":"\u003cp\u003eceramic | 3.75 x 2.75 x 4\"\u003c\/p\u003e\n\u003cp\u003eAmelia Butcher is a Vancouver-based visual artist and educator with a sculptural, pottery, writing and drawing practice centered in clay. She graduated from Emily Carr University in 2013 and is a founding member of the Dusty Babes Collective. From 2015-2021 she lived and worked out of their communal space in the Surrey studio of the late great Don Hutchinson. Now based in Vancouver, she is a maker, instructor, technician, parent and dedicated volunteer with the Potters Guild of BC community kiln. She makes objects that are self-conscious of their own act of making, that wrestle between drawing and sculpture, fiction and non-fiction, imagined and observed narratives. Sculpture, figuration, illustration and pottery swim together freely in her practice as well as a great curiosity for materials. Metallic oxides, sticky porcelain and heat are recruited into telling stories about science, family, animal, vegetable and mineral.\u003c\/p\u003e","brand":"Amelia Butcher","offers":[{"title":"Default Title","offer_id":47348020314261,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1067.jpg?v=1778594588"},{"product_id":"kid-glove","title":"Kid Glove","description":"\u003cp\u003ecast plaster, copper | 4 x 4 x 6\"\u003c\/p\u003e\n\u003cp\u003eValerie was born, lives and creates, with gratitude on the unceded territories of the Coast Salish Nations. Her interdisciplinary practice melds photography, sculpture, and sound, rooted in a daily ritual of observation and deep connection with nature. She investigates the interconnectivity and reciprocity between humans and ecosystems, focusing on themes of regeneration, lifecycle, and continuum, exploring the intersection of perception, phenomenology and fundamental human experiences such as birth, death and consciousness. She is interested in the construction of images, evolving from an early documentary practise, knitting together analog and digital with alternative processes. Valerie works with ephemeral, sustainable materials—recycled paper, textiles, and found objects— prioritizing a minimal impact on the environment. She holds a BFA, ECU(2002), studied at Cooper Union (NYC), and completed an MA, UofP (2012), receiving an award of distinction for her thesis, Sustainable Urban Agriculture and Forestation. She is a four-time Canada Council grant recipient, (2006, 2020, 2021, 2025). Recent solo exhibitions include Understory:A Hidden Connection (SSCAC,2025) and Systems Shift (THIS Gallery,2025). Her work is held in public and private collections in Canada and internationally including The Surrey Art Gallery, Telus and The International Office of Migration.\u003c\/p\u003e","brand":"Valerie Durant","offers":[{"title":"Default Title","offer_id":47348023230613,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1112.jpg?v=1778594812"},{"product_id":"a-safe-place-to-cry","title":"A Safe Place to Cry","description":"\u003cp\u003eacrylic gouache on ceramic | 3.5 x 3.5 x 4\"\u003c\/p\u003e\n\u003cp\u003eEmily Cowan is a self-taught fine arts painter working primarily with acrylic gouache. In a style she has named “architectural portraiture”, her work focuses on houses, apartments, and domestic interiors. She uses bright colours and architectural forms to explore themes of housing justice, the emotional weight of the global housing crisis, and the shared humanity people express through the decoration and presentation of the buildings they inhabit and the homes they make. Cowan exhibited her first solo show in 2025 and has participated in numerous group shows across Vancouver and the lower mainland. She has a second solo show scheduled for September 2026. With over 30 commissions to date, her art (both custom and original) is part of dozens of private collections and has also been highlighted by local media.\u003c\/p\u003e","brand":"Emily Cowan","offers":[{"title":"Default Title","offer_id":47348033749141,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1041.jpg?v=1778595014"},{"product_id":"night-watcher","title":"Night Watcher","description":"\u003cp\u003eceramic, wood, crystal, LED bike light | 4 x 4 x 4\"\u003c\/p\u003e\n\u003cp\u003eArlin ffrench is an artist living in East Vancouver. Working with broken and found objects, ffrench creates sculptural works that engage with notions of previous histories, mysteries and decay.\u003c\/p\u003e","brand":"Arlin ffrench","offers":[{"title":"Default Title","offer_id":47348039712917,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_0805.jpg?v=1778595220"},{"product_id":"dont-live-a-little-live-a-lot-i","title":"Don't Live A Little, Live A Lot I","description":"\u003cp\u003eacrylic on wood relief | 4 x 4 x 1\"\u003c\/p\u003e\n\u003cp\u003eAngie Quintanilla (keen-tah-knee-yah) Coates is a visual artist born and raised in Monterrey, Mexico and based in British Columbia, Canada. Her work is deeply influenced by her cultural heritage and personal journey. Through bold colour and geometric forms, she creates compositions that radiate joy and an unapologetic, relentless optimism. This is a nod to her Mexican roots, and an invitation for anyone who needs it, to get a dose of what she likes to call dopamina mexicana. When she’s not in her studio, she can be found exploring the nearby ocean and mountain trails in Port Moody, BC, where she lives with her dog Meatball, and rescue husband Geoff.\u003c\/p\u003e","brand":"Angie Quintanilla Coates","offers":[{"title":"Default Title","offer_id":47348043022485,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1132.jpg?v=1778595417"},{"product_id":"dont-live-a-little-live-a-lot-ii","title":"Don't Live A Little, Live A Lot II","description":"\u003cp\u003eacrylic on wood relief | 4 x 4 x 1\"\u003c\/p\u003e\n\u003cp\u003eAngie Quintanilla (keen-tah-knee-yah) Coates is a visual artist born and raised in Monterrey, Mexico and based in British Columbia, Canada. Her work is deeply influenced by her cultural heritage and personal journey. Through bold colour and geometric forms, she creates compositions that radiate joy and an unapologetic, relentless optimism. This is a nod to her Mexican roots, and an invitation for anyone who needs it, to get a dose of what she likes to call dopamina mexicana. When she’s not in her studio, she can be found exploring the nearby ocean and mountain trails in Port Moody, BC, where she lives with her dog Meatball, and rescue husband Geoff.\u003c\/p\u003e","brand":"Angie Quintanilla Coates","offers":[{"title":"Default Title","offer_id":47348048855189,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1134.jpg?v=1778595535"},{"product_id":"dont-live-a-little-live-a-lot-iii","title":"Short Cut","description":"\u003cp\u003eacrylic on wood relief | 4 x 4 x 1\"\u003c\/p\u003e\n\u003cp\u003eAngie Quintanilla (keen-tah-knee-yah) Coates is a visual artist born and raised in Monterrey, Mexico and based in British Columbia, Canada. Her work is deeply influenced by her cultural heritage and personal journey. Through bold colour and geometric forms, she creates compositions that radiate joy and an unapologetic, relentless optimism. This is a nod to her Mexican roots, and an invitation for anyone who needs it, to get a dose of what she likes to call dopamina mexicana. When she’s not in her studio, she can be found exploring the nearby ocean and mountain trails in Port Moody, BC, where she lives with her dog Meatball, and rescue husband Geoff.\u003c\/p\u003e","brand":"Angie Quintanilla Coates","offers":[{"title":"Default Title","offer_id":47348051673237,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1136.jpg?v=1778595573"},{"product_id":"nest","title":"Nest","description":"\u003cp\u003eIcelandic stone, mariners rope, copper nail | 2 x 4 x 2\"\u003c\/p\u003e\n\u003cp\u003eCaitlin ffrench is an artist, writer, and educator living on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations (Vancouver, Canada). ffrench works with land-based materials finding connection between land and the body, most significantly her body experiencing Multiple Sclerosis paralleling climate change.\u003c\/p\u003e","brand":"Caitlin ffrench","offers":[{"title":"Default Title","offer_id":47348057931925,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_0814.jpg?v=1778595740"},{"product_id":"inheritance-ii","title":"Inheritance II","description":"\u003cp\u003eclay, paint, charms, plastic, metal | 4 x 3 x 2.5\"\u003c\/p\u003e\n\u003cp\u003eAllison Hardy is an artist, educator and settler living on the unceded traditional territories of the xwməθkwəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) and sc̓əwaθən məsteyəxʷ (Tsawwassen) First Nations and other hən̓q̓əmin̓əm̓ speakers.\nShe works in a variety of mediums and has had her artwork exhibited in solo and group shows within Vancouver BC, North Vancouver BC, Surrey BC, and Okanagan, BC. Some interests include the collection, inheritance and circulation of natural and human-made objects and what they suggest about our lived experiences. She has a Bachelor of Fine Arts Degree from Emily Carr University of Art \u0026amp; Design, an Education Degree in Art Education from the University of British Columbia and a partial Masters of Art in Art Education at the University of British Columbia.\u003c\/p\u003e","brand":"Allison Hardy","offers":[{"title":"Default Title","offer_id":47348068221077,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1340.jpg?v=1778596006"},{"product_id":"inheritance-iii","title":"Inheritance III","description":"\u003cp\u003eclay, brush, wood glue | 4 x 1.5 x 1\"\u003c\/p\u003e\n\u003cp\u003eAllison Hardy is an artist, educator and settler living on the unceded traditional territories of the xwməθkwəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) and sc̓əwaθən məsteyəxʷ (Tsawwassen) First Nations and other hən̓q̓əmin̓əm̓ speakers.\nShe works in a variety of mediums and has had her artwork exhibited in solo and group shows within Vancouver BC, North Vancouver BC, Surrey BC, and Okanagan, BC. Some interests include the collection, inheritance and circulation of natural and human-made objects and what they suggest about our lived experiences. She has a Bachelor of Fine Arts Degree from Emily Carr University of Art \u0026amp; Design, an Education Degree in Art Education from the University of British Columbia and a partial Masters of Art in Art Education at the University of British Columbia.\u003c\/p\u003e","brand":"Allison Hardy","offers":[{"title":"Default Title","offer_id":47348076413077,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1335.jpg?v=1778596168"},{"product_id":"rio-theatre","title":"Rio Theatre","description":"\u003cp\u003eclay | 4 x 2.5 x 2.5\"\u003c\/p\u003e\n\u003cp\u003eBorn in Kowloon, Hong Kong, Billy grew up with a fascination for different colours and sounds of fast paced 80’s street markets. The colourful reflections the bright lights cast on shop items and street signs, spotlighted their various forms. Billy gained interest in objects’ subtlety in uniqueness through their different shapes, as well as how they were created. His PoPo (Grandma) was a significant figure in his creative development and identity. She encouraged him to follow his intrigue and be playful through drawing and making crafts at a young age. Billy and his family later immigrated to Toronto, Canada. Keeping the spirit of his PoPo alive, he found it important to integrate her values in his work as a teenager. Billy soon moved to Vancouver, Canada to become involved in the print industry, specifically Lithograph printing. He developed an eye for design and detail, which translated in his passion for painting and street art. Always curious, Billy picked up a colour theory class at Shadbolt Centre For The Arts, where he would walk by the ceramics department, with curiosity, he took a class in ceramics and discovered clay as a medium.\u003c\/p\u003e","brand":"Billy Cheung","offers":[{"title":"Default Title","offer_id":47348081164437,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1108.jpg?v=1778596400"},{"product_id":"ted-harris","title":"Ted Harris","description":"\u003cp\u003eclay | 3 x 2.5 x 2.5\"\u003c\/p\u003e\n\u003cp\u003eBorn in Kowloon, Hong Kong, Billy grew up with a fascination for different colours and sounds of fast paced 80’s street markets. The colourful reflections the bright lights cast on shop items and street signs, spotlighted their various forms. Billy gained interest in objects’ subtlety in uniqueness through their different shapes, as well as how they were created. His PoPo (Grandma) was a significant figure in his creative development and identity. She encouraged him to follow his intrigue and be playful through drawing and making crafts at a young age. Billy and his family later immigrated to Toronto, Canada. Keeping the spirit of his PoPo alive, he found it important to integrate her values in his work as a teenager. Billy soon moved to Vancouver, Canada to become involved in the print industry, specifically Lithograph printing. He developed an eye for design and detail, which translated in his passion for painting and street art. Always curious, Billy picked up a colour theory class at Shadbolt Centre For The Arts, where he would walk by the ceramics department, with curiosity, he took a class in ceramics and discovered clay as a medium.\u003c\/p\u003e","brand":"Billy Cheung","offers":[{"title":"Default Title","offer_id":47348085162133,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1101.jpg?v=1778596495"},{"product_id":"bennys-market","title":"Bennys Market","description":"\u003cp\u003eclay | 5 x 3.5 x 3.5\"\u003c\/p\u003e\n\u003cp\u003eBorn in Kowloon, Hong Kong, Billy grew up with a fascination for different colours and sounds of fast paced 80’s street markets. The colourful reflections the bright lights cast on shop items and street signs, spotlighted their various forms. Billy gained interest in objects’ subtlety in uniqueness through their different shapes, as well as how they were created. His PoPo (Grandma) was a significant figure in his creative development and identity. She encouraged him to follow his intrigue and be playful through drawing and making crafts at a young age. Billy and his family later immigrated to Toronto, Canada. Keeping the spirit of his PoPo alive, he found it important to integrate her values in his work as a teenager. Billy soon moved to Vancouver, Canada to become involved in the print industry, specifically Lithograph printing. He developed an eye for design and detail, which translated in his passion for painting and street art. Always curious, Billy picked up a colour theory class at Shadbolt Centre For The Arts, where he would walk by the ceramics department, with curiosity, he took a class in ceramics and discovered clay as a medium.\u003c\/p\u003e","brand":"Billy Cheung","offers":[{"title":"Default Title","offer_id":47348086931605,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1096.jpg?v=1778596585"},{"product_id":"tipping-point-1","title":"Tipping Point","description":"\u003cp\u003emahogany, plywood, acrylic gesso, found plastic, super glue | 4.25 x 4.25 x 5.25\"\u003c\/p\u003e\n\u003cp\u003eKen Henderson has been working as a professional artist since he was 13. In 1990, he graduated with my BFA in Drawing \u0026amp; Painting from UVIC. After a few years as an illustrator in Victoria, he moved to Vancouver to take a 3D animation course at Vancouver Film School (VFS). That course set him up for a career in TV\/Film\/Games. He spent decades working on projects in concept design and art director roles for animated TV series like ‘ReBoot’, ‘Beast Wars’, ‘Beast Machines’, ‘Bob the Builder’, and ‘Beat Bugs.’ He also worked on video games like ‘Republic Commando’, ‘Star Wars EP III’, ‘FIFA’ and films like ‘Ratchet \u0026amp; Clank’, ‘Thirst’ and the ‘Sly Cooper’ teaser trailer. This led him back to his alma mater. At VFS, he became a mentor\/instructor and eventually became the Senior Instructor for their concept art program in 2019. From there, he joined a concept art outsource team as the studio art manager. The last few years have seen him move back into his own art practice, with sculpture as his main creative outlet.\u003c\/p\u003e","brand":"Ken Henderson","offers":[{"title":"Default Title","offer_id":47348093419669,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1267.jpg?v=1778597116"},{"product_id":"pinaceae-panacea-i","title":"Pinaceae Panacea I","description":"\u003cp\u003elaminated newspaper, beeswax, reclaimed wood plinth, packed in a custom, handmade box | 2.75 x 2 x 2\"\u003c\/p\u003e\n\u003cp\u003eConnie Sabo is a Chinese Canadian artist based in Vancouver, working across mixed media, sculpture, and installation. She is known for large-scale works made from hand-twisted newspaper—familiar materials transformed through a slow, repetitive, and deeply physical process. Her practice explores cycles of use, time, and renewal, engaging questions of sustainability, identity, and personal narrative, often grounded in the tension between what is discarded and what is preserved. Pinaceae Panacea is a series of works made from laminated, recycled newspaper, compressed into dense, tree-like forms that gesture back to their source. The process reworks newsprint into something slower and more tactile, bringing together cycles of material, information, and use, while returning the medium, in part, to the tree it once was. Born and raised in Vancouver, Connie graduated from the Emily Carr Institute of Art and Design in 2003, receiving the Governor General’s Academic Medal. She holds a Bachelor of Home Economics from the University of British Columbia, where she also studied architecture, and later pursued public art studies at the University of Washington. Her work has been exhibited across the Lower Mainland, Sunshine Coast and the United States.\u003c\/p\u003e","brand":"Connie Sabo","offers":[{"title":"Default Title","offer_id":47348108492949,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/panacea-1_1.jpg?v=1778597626"},{"product_id":"pinaceae-panacea-2-copy","title":"Pinaceae Panacea II","description":"\u003cp\u003elaminated newspaper, beeswax, reclaimed wood plinth, packed in a custom, handmade box | 3 x 1.5 x 1.5\"\u003c\/p\u003e\n\u003cp\u003eConnie Sabo is a Chinese Canadian artist based in Vancouver, working across mixed media, sculpture, and installation. She is known for large-scale works made from hand-twisted newspaper—familiar materials transformed through a slow, repetitive, and deeply physical process. Her practice explores cycles of use, time, and renewal, engaging questions of sustainability, identity, and personal narrative, often grounded in the tension between what is discarded and what is preserved. Pinaceae Panacea is a series of works made from laminated, recycled newspaper, compressed into dense, tree-like forms that gesture back to their source. The process reworks newsprint into something slower and more tactile, bringing together cycles of material, information, and use, while returning the medium, in part, to the tree it once was. Born and raised in Vancouver, Connie graduated from the Emily Carr Institute of Art and Design in 2003, receiving the Governor General’s Academic Medal. She holds a Bachelor of Home Economics from the University of British Columbia, where she also studied architecture, and later pursued public art studies at the University of Washington. Her work has been exhibited across the Lower Mainland, Sunshine Coast and the United States.\u003c\/p\u003e","brand":"Connie Sabo","offers":[{"title":"Default Title","offer_id":47348134412437,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/panacea-2_1.jpg?v=1778597752"},{"product_id":"pinaceae-panacea-iii","title":"Pinaceae Panacea III","description":"\u003cp\u003elaminated newspaper, beeswax, reclaimed wood plinth, packed in a custom, handmade box | 3.5 x 2 x 1.75\"\u003c\/p\u003e\n\u003cp\u003eConnie Sabo is a Chinese Canadian artist based in Vancouver, working across mixed media, sculpture, and installation. She is known for large-scale works made from hand-twisted newspaper—familiar materials transformed through a slow, repetitive, and deeply physical process. Her practice explores cycles of use, time, and renewal, engaging questions of sustainability, identity, and personal narrative, often grounded in the tension between what is discarded and what is preserved. Pinaceae Panacea is a series of works made from laminated, recycled newspaper, compressed into dense, tree-like forms that gesture back to their source. The process reworks newsprint into something slower and more tactile, bringing together cycles of material, information, and use, while returning the medium, in part, to the tree it once was. Born and raised in Vancouver, Connie graduated from the Emily Carr Institute of Art and Design in 2003, receiving the Governor General’s Academic Medal. She holds a Bachelor of Home Economics from the University of British Columbia, where she also studied architecture, and later pursued public art studies at the University of Washington. Her work has been exhibited across the Lower Mainland, Sunshine Coast and the United States.\u003c\/p\u003e","brand":"Connie Sabo","offers":[{"title":"Default Title","offer_id":47348141195413,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/panacea-3_1.jpg?v=1778597989"},{"product_id":"houses-in-the-lake","title":"Houses in the Lake","description":"\u003cp\u003egouache on paper | 2 x 2 x 3\"\u003c\/p\u003e\n\u003cp\u003eLiz Bentley is a non-binary painter from Canmore, AB. They hold both a BFA and MFA from the University of Victoria and have exhibited in British Columbia, Alberta and Saskatchewan. Most recently at Trapdoor ARC in Lethbridge, AB and Neutral Ground ARC in Regina, SK. Primarily working with gouache, house-paint and film photography; their practice examines the connection between memory, storytelling and domestic architecture. Their paintings are constructed from memories, bringing recreations of past spaces into the present. In the same way that memories are often flawed and wobbly, so too are these stripped-down spaces. Emotions, conversations and ghosts of objects are embodied with bright colours; rendered organic and softly shaped. Curating an experience which joins the past, present and explore the relationships between interior and exterior environments.\u003c\/p\u003e","brand":"Liz Bentley","offers":[{"title":"Default Title","offer_id":47348152926357,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1216.jpg?v=1778598208"},{"product_id":"prairie-clouds","title":"Prairie Clouds","description":"\u003cp\u003egouache on paper | 4 x 4 x 4\"\u003c\/p\u003e\n\u003cp\u003eLiz Bentley is a non-binary painter from Canmore, AB. They hold both a BFA and MFA from the University of Victoria and have exhibited in British Columbia, Alberta and Saskatchewan. Most recently at Trapdoor ARC in Lethbridge, AB and Neutral Ground ARC in Regina, SK. Primarily working with gouache, house-paint and film photography; their practice examines the connection between memory, storytelling and domestic architecture. Their paintings are constructed from memories, bringing recreations of past spaces into the present. In the same way that memories are often flawed and wobbly, so too are these stripped-down spaces. Emotions, conversations and ghosts of objects are embodied with bright colours; rendered organic and softly shaped. Curating an experience which joins the past, present and explore the relationships between interior and exterior environments.\u003c\/p\u003e","brand":"Liz Bentley","offers":[{"title":"Default Title","offer_id":47348164362389,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1219.jpg?v=1778598340"},{"product_id":"shedding","title":"SHEDDING","description":"\u003cp\u003eexpanded metal mesh, vintage wood marking gauge, beeswax, oil pastel | 4 x 4 x 4\"\u003c\/p\u003e\n\u003cp\u003eShirley Wiebe is a self-taught interdisciplinary artist residing on the unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səl̓ilwətaɁɬ (Tsleil-Waututh) Nations in Vancouver, BC. Her practice is shaped by the dynamic relationship between her rural upbringing in a prairie farming community and her present experience in an urban setting. Shirley's practice centres on the investigation, experimentation, and reworking of diverse materials across sculpture, installation, drawing, and photography. Her body of work demonstrates a consistent affinity with arte povera, utilizing found objects and commonplace materials.Through a studied approach to combining them in unfamiliar ways, she seek to dismantle the past to create the present.\nThe work asks us to consider what new relationship we have to these objects or materials once they have been pushed beyond their intended use or capacity? What do we re-cognize? What is our relationship to this new thing?\u003c\/p\u003e","brand":"Shirley Wiebe","offers":[{"title":"Default Title","offer_id":47348168589461,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_0923.jpg?v=1778598501"},{"product_id":"what-lies-beneath","title":"What Lies Beneath","description":"\u003cp\u003epolymer clay and upcycled materials | 4 x 4 x 4\"\u003c\/p\u003e\n\u003cp\u003eBen Everyman’s visual work explores the fusion of human and animal forms, probing the boundaries of identity, instinct, and embodiment. Through finely detailed sculptures and drawings, he transforms familiar bodies into hybrid, often uncanny figures that challenge cultural hierarchies and assumptions about nature and self. His work has been exhibited internationally, including at the notable Icelandic Phallological Museum.\u003c\/p\u003e","brand":"Ben Everyman","offers":[{"title":"Default Title","offer_id":47348176093333,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_0677.jpg?v=1778598632"},{"product_id":"future-fortune","title":"Future\/Fortune","description":"\u003cp\u003elinen, found image transfer, textile collage, hand stitching, acrylic | 3.5 x 4 x 4\"\u003c\/p\u003e\n\u003cp\u003eTehya MacKenzie’s formal education is in Photography, and although her work now uses an array of mediums (including painting, collage, photo transfer, textile art and stitching), it is rooted in the power and mystery of photographs. She lives and works in Vancouver, BC, on the unceded and ancestral territory of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. Motherhood is a central theme in Tehya's work, exploring its profound influence on personal identity.  Collected photographs become a way to mirror shared experience between the artist and the world around her. Each piece is a celebration of the complexities and joys of womanhood, resonating with the collective experience of parenthood and caregiving. Through the integration of textiles and hand embroidery, she adds texture and a tactile quality that emphasizes the nurturing aspects of creativity. Most recently her piece “At what point do I shatter? (2025)” was hung in Kairos: Mothering Time at Duplex Art Society as part of a group show about motherhood with her aptly named Collective, ‘Motherloaders’.\u003c\/p\u003e","brand":"Teyha MacKenzie","offers":[{"title":"Default Title","offer_id":47348184744085,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1045.jpg?v=1778598893"},{"product_id":"im-allowed-to-be-messy","title":"I'm allowed to be messy.","description":"\u003cp\u003elinen, found image transfer, textile collage, hand stitching, acrylic | 4.5 x 3.5 x 4\"\u003c\/p\u003e\n\u003cp\u003eTehya MacKenzie’s formal education is in Photography, and although her work now uses an array of mediums (including painting, collage, photo transfer, textile art and stitching), it is rooted in the power and mystery of photographs. She lives and works in Vancouver, BC, on the unceded and ancestral territory of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. Motherhood is a central theme in Tehya's work, exploring its profound influence on personal identity. Collected photographs become a way to mirror shared experience between the artist and the world around her. Each piece is a celebration of the complexities and joys of womanhood, resonating with the collective experience of parenthood and caregiving. Through the integration of textiles and hand embroidery, she adds texture and a tactile quality that emphasizes the nurturing aspects of creativity. Most recently her piece “At what point do I shatter? (2025)” was hung in Kairos: Mothering Time at Duplex Art Society as part of a group show about motherhood with her aptly named Collective, ‘Motherloaders’.\u003c\/p\u003e","brand":"Teyha MacKenzie","offers":[{"title":"Default Title","offer_id":47348196671637,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1046.jpg?v=1778599008"},{"product_id":"拘束体-01-kosokutai-01-constrained-form-i","title":"拘束体 01 (Kōsokutai 01) - Constrained Form I","description":"\u003cp\u003eceramic, raffia, paracord | 4 x 4 x 3.5\"\u003c\/p\u003e\n\u003cp\u003eWilson Makgawinata is a Vancouver-based multidisciplinary artist working across ceramics and photography. His practice explores the tension between control and containment—how forms are shaped, bound, and held in place. Using simple materials and restrained interventions, he creates sculptural objects that examine pressure, stability, and the forces that act upon form. His work focuses on quiet systems of control, where structure and constraint define the final state of the object\u003c\/p\u003e","brand":"Wilson Makgawinata","offers":[{"title":"Default Title","offer_id":47348204470421,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_0796.jpg?v=1778599242"},{"product_id":"拘束体-02-kosokutai-02-constrained-form-ii","title":"拘束体 02 (Kōsokutai 02) - Constrained Form II","description":"\u003cp\u003eceramic, raffia, paracord | 4.3 x 4.3 x 4\"\u003c\/p\u003e\n\u003cp\u003eWilson Makgawinata is a Vancouver-based multidisciplinary artist working across ceramics and photography. His practice explores the tension between control and containment—how forms are shaped, bound, and held in place. Using simple materials and restrained interventions, he creates sculptural objects that examine pressure, stability, and the forces that act upon form. His work focuses on quiet systems of control, where structure and constraint define the final state of the object\u003c\/p\u003e","brand":"Wilson Makgawinata","offers":[{"title":"Default Title","offer_id":47348217217173,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_0788.jpg?v=1778599412"},{"product_id":"inheritance-i","title":"Inheritance I","description":"\u003cp\u003eletterpress and stone dust monotype, washi paper, papier-mache, rare earth magnet | 3.5 x 3.5 x 3.5\"\u003c\/p\u003e\n\u003cp\u003eChelsea O'Byrne (b. 1992) is an artist from Calgary, living and working in Vancouver BC. Chelsea's print-based practice uses alternative techniques and by-product materials of analogue processes to investigate the forces of destruction and creation as they manifest through cultural production. Chelsea received her MFA from Emily Carr University in 2026 and is currently a sessional instructor at Emily Carr.\u003c\/p\u003e","brand":"Chelsea O'Byrne","offers":[{"title":"Default Title","offer_id":47348221542549,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1241.jpg?v=1778599603"},{"product_id":"inheritance-ii-1","title":"Inheritance II","description":"\u003cp\u003eletterpress and stone dust monotype, washi paper, papier-mache, rare earth magnet | 3 x 3 x 3\"\u003c\/p\u003e\n\u003cp\u003eChelsea O'Byrne (b. 1992) is an artist from Calgary, living and working in Vancouver BC. Chelsea's print-based practice uses alternative techniques and by-product materials of analogue processes to investigate the forces of destruction and creation as they manifest through cultural production. Chelsea received her MFA from Emily Carr University in 2026 and is currently a sessional instructor at Emily Carr.\u003c\/p\u003e","brand":"Chelsea O'Byrne","offers":[{"title":"Default Title","offer_id":47348227670165,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1235.jpg?v=1778599800"},{"product_id":"inheritance-iii-1","title":"Inheritance III","description":"\u003cp\u003eletterpress and stone dust monotype, washi paper, papier-mache, rare earth magnet | 3.5 x 3.5 x 3\"\u003c\/p\u003e\n\u003cp\u003eChelsea O'Byrne (b. 1992) is an artist from Calgary, living and working in Vancouver BC. Chelsea's print-based practice uses alternative techniques and by-product materials of analogue processes to investigate the forces of destruction and creation as they manifest through cultural production. Chelsea received her MFA from Emily Carr University in 2026 and is currently a sessional instructor at Emily Carr.\u003c\/p\u003e","brand":"Chelsea O'Byrne","offers":[{"title":"Default Title","offer_id":47348227965077,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1231.jpg?v=1778599916"},{"product_id":"put-your-beans-on-a-pedestal","title":"Put Your Beans on a Pedestal","description":"\u003cp\u003eceramic | 4 x 2.25 x 2\"\u003c\/p\u003e\n\u003cp\u003eDaryn Wright is a ceramic artist, painter, and installation artist whose work primarily involves using the archive as source material. Ceramic sculpture lies at the center of her work, the anchor around which paintings, collage, found-objects, and assemblage interact through experiential installations. Food, folklore, domesticity, and the rituals of the everyday play a major role in her work, subjects which are often explored through the lens of humour and irony. Everyday, ordinary objects are made strange and unfamiliar as a way of demonstrating the potential to enter into the otherworldly – to take what we know as familiar and reconfigure new contexts. Through the act of riffing on historical archival material, Wright's work investigates how the past informs our present understanding of cultural signifiers and how the objects with which we surround ourselves become a \"seance of the self.\" Recent exhibitions include the group exhibition Nostalgia at THIS Gallery and Creator's Harvest at Centre A, both in 2025, as well as in the upcoming Maker + Mother group exhibition at Parker Street Gallery. Wright will begin her MFA at Emily Carr University of Art and Design in September 2026.\u003c\/p\u003e","brand":"Daryn Wright","offers":[{"title":"Default Title","offer_id":47348228292757,"sku":null,"price":200.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/files\/IMG_1119.jpg?v=1778600057"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0454\/1956\/1109\/collections\/Minutiae_shop-header.jpg?v=1778563262","url":"https:\/\/thethisgallery.com\/collections\/minutiae.oembed?page=6","provider":"THIS GALLERY","version":"1.0","type":"link"}